'Striking ... Hegarty has gifted us a vital book for our time. Bathed in light, seeped in colour; it is full of the act of being mortal – in a landscape that is – slowly, finally – finding what it means to be human' IRISH TIMES. A surprising and ambitious work of fiction centred on the art world, featuring an artist who has become an art thief, an obsessive curator and a specialist in major art thefts. Their stories intersect with the fate of a legendary work by a tragic Victorian woman artist who painted the picture as a kind of funeral dress, using the notoriously fragile distemper technique. At the heart of this moving and unusual novel is a strange painting by a woman who committed suicide rather than live with neglect and pain. Her final glowingly beautiful work was painted with a technique more usual for posters and banners, and not designed to last. She intended it as her shroud. It hangs in a Dublin gallery, and it is...

In this groundbreaking history of Ireland, Neil Hegarty presents a fresh perspective on Ireland's past. Comprehensive and engaging, The Story of Ireland is an eye-opening account of a nation that has long been shaped by forces beyond its coasts. The Story of Ireland re-examines Irish history, challenging the accepted stories and long-held myths associated with Ireland. Transporting readers to the Ireland of the past, beginning with the first settlement in A.D. 433, this is a sweeping and compelling history of one of the world's most dynamic nations. Hegarty examines how world events, including Europe's 16th century religious wars, the French and American revolutions, and Ireland's policy of neutrality during World War II, have shaped the country over the course of its long and fascinating history. With an up-to-date afterword that details the present state of affairs in Ireland, this is an essential text for readers who are fascinated by current...

A haunting debut set in the harsh, beautiful landscape of Ireland's north coast. Patrick Jackson lies on his deathbed in Derry and recalls a family history marked by secrecy and silence, and a striking absence of conventional pieties. He remembers the death of an eight-year-old girl, whose body was found on reclaimed land called Inch Levels on the shoreline of Lough Swilly. And he is visited by his beloved but troubled sister Margaret and by his despised brother-in-law Robert, and by Sarah, his hard, unchallengeable mother. Each of them could talk about events in the past that might explain the bleakness of their relationships, but leaving things unsaid has become a way of life. Guilt and memory beat against them, as shock waves from bombs in Derry travel down the river to shake the windows of those who have escaped the city.