A police lieutenant with the elite "Red Dogs" until she retired at twenty-nine , Aud Torvigen is a rangy six-footer with eyes the color of cement and a tendency to hurt people who get in her way. Born in Norway into the failed marriage between a Scandinavian diplomat and an American businessman, she now makes Atlanta her home, luxuriating in the lush heat and brashness of the New South. She glides easily between the world of silken elegance and that of sleaze and sudden savagery, equally at home in both; functional, deadly, and temporarily quiescent, like a folded razor.On a humid April evening between storms, out walking just to stay sharp, she turns a corner and collides with a running woman, Catching the scent of clean, rain-soaked hair, Aud nods and silently tells the stranger Today, you are lucky, and moves on—when behind her house explodes, incinerating its sole occupant, a renowned art historian. When Aud turns back, the woman is gone.

"Spectacular—I've been waiting years for this book to exist." —Maria Dahvana Headley, author of Beowulf: A New Translation"If Le Guin wrote a Camelot story, I imagine it would feel like Spear: humane, intelligent, and deeply beautiful. It's a new story with very old bones, a strange place that feels like home." —Alix E. Harrow, author of A Spindle SplinteredShe left all she knew to find who she could be . . . She grows up in the wild wood, in a cave with her mother, but visions of a faraway lake drift to her on the spring breeze, scented with promise. And when she hears a traveler speak of Artos, king of Caer Leon, she decides her future lies at his court. So, brimming with magic and eager to test her strength, she breaks her covenant with her mother and sets out on her bony gelding for Caer Leon. With her stolen hunting spear and mended armour, she is an unlikely hero, not a chosen one, but one who...

In the much anticipated sequel to Hild, Nicola Griffith's Menewood transports readers back to seventh-century Britain, a land of rival kings and religions poised for epochal change.Making a much-anticipated return to the world of Hild, Nicola Griffith's Menewood transports readers back to seventh-century Britain, a land of rival kings and religions poised for epochal change. Hild is no longer the bright child who made a place in Edwin Overking's court with her seemingly supernatural insight. She is eighteen, honed and tested, the formidable lady of Elmet, now building her personal stronghold in the valley of Menewood.But old alliances are fraying. Younger rivals are snapping at Edwin's heels. War is brewing—bitter war, winter war. Not knowing whom to trust, Edwin becomes volatile and recalls his young advisor to court. There Hild begins to understand the true extent of the chaos ahead—and realizes she must find a way to...

Widely acclaimed as a novelist, here Nicola Griffith displays her power, precision, and clarity of thought in multiple modes and forms.Known for her gorgeously supple prose that soars effortlessly over genre boundaries, Griffith is also an incisive essayist whose ground-breaking, data-driven work on gender bias in the literary ecosystem sparked self-searching conversations worldwide. In this heady mélange of essays, poems, art, and stories—some seen here for the first time—the author makes foundational assertions about love versus ownership ("Wife"), advocates for the writer as explorer ("Branding: It Burns"), and points out the gaping hole in our literary landscape where we'd expect to find disability fiction ("Overwriting the Old Story"). These and other public-facing essays are followed by four powerfully intimate poems. Returning to prose, Griffith immerses us so seamlessly in her viscerally imagined fiction that we feel how it is to be...

A police lieutenant with the elite "Red Dogs" until she retired at twenty-nine , Aud Torvigen is a rangy six-footer with eyes the color of cement and a tendency to hurt people who get in her way. Born in Norway into the failed marriage between a Scandinavian diplomat and an American businessman, she now makes Atlanta her home, luxuriating in the lush heat and brashness of the New South. She glides easily between the world of silken elegance and that of sleaze and sudden savagery, equally at home in both; functional, deadly, and temporarily quiescent, like a folded razor. On a humid April evening between storms, out walking just to stay sharp, she turns a corner and collides with a running woman, Catching the scent of clean, rain-soaked hair, Aud nods and silently tells the stranger Today, you are lucky, and moves on--when behind her house explodes, incinerating its sole occupant, a renowned art historian. When Aud turns back, the woman is gone. But Julia Lyons-Bennet will return seeking Aud's help and prA police lieutenant with the elite "Red Dogs" until she retired at twenty-nine , Aud Torvigen is a rangy six-footer with eyes the color of cement and a tendency to hurt people who get in her way. Born in Norway into the failed marriage between a Scandinavian diplomat and an American businessman, she now makes Atlanta her home, luxuriating in the lush heat and brashness of the New South. She glides easily between the world of silken elegance and that of sleaze and sudden savagery, equally at home in both; functional, deadly, and temporarily quiescent, like a folded razor.On a humid April evening between storms, out walking just to stay sharp, she turns a corner and collides with a running woman, Catching the scent of clean, rain-soaked hair, Aud nods and silently tells the stranger Today, you are lucky, and moves on--when behind her house explodes, incinerating its sole occupant, a renowned art historian. When Aud turns back, the woman is gone.But Julia Lyons-Bennet will return seeking Aud's help and pr

Change or die. These are the only options available on the planet Jeep. Centuries earlier, a deadly virus shattered the original colony, killing the men and forever altering the few surviving women. Now, generations after the colony has lost touch with the rest of humanity, a company arrives to exploit Jeep–and its forces find themselves fighting for their lives. Terrified of spreading the virus, the company abandons its employees, leaving them afraid and isolated from the natives. In the face of this crisis, anthropologist Marghe Taishan arrives to test a new vaccine. As she risks death to uncover the women’s biological secret, she finds that she, too, is changing–and realizes that not only has she found a home on Jeep, but that she alone carries the seeds of its destruction. . . . Ammonite is an unforgettable novel that questions the very meanings of gender and humanity. As readers share in Marghe’s journey through an alien world, they too embark on a parallel journey of fascinating self-exploration

From the author of Hild, a fierce and urgent autobiographical novel about a woman facing down a formidable foe.So Lucky is the sharp, surprising new novel by Nicola Griffith—the profoundly personal and emphatically political story of a confident woman forced to confront an unnerving new reality when in the space of a single week her wife leaves her and she is diagnosed with multiple sclerosis.Mara Tagarelli is, professionally, the head of a multi-million-dollar AIDS foundation; personally, a committed martial artist. But her life has turned inside out like a sock. She can't rely on family, her body is letting her down, and friends and colleagues are turning away—they treat her like a victim. She needs to break that narrative: build her own community, learn new strengths, and fight. But what do you do when you find out that the story you've been told, the story you've told yourself, is not true? How can you fight if you...

From the author of Hild, a fierce and urgent autobiographical novel about a woman facing down a formidable foeSo Lucky is the sharp, surprising new novel by Nicola Griffith—the profoundly personal and emphatically political story of a confident woman forced to confront an unnerving new reality when in the space of a single week her wife leaves her and she is diagnosed with multiple sclerosis.Mara Tagarelli is, professionally, the head of a multimillion-dollar AIDS foundation; personally, she is a committed martial artist. But her life has turned inside out like a sock. She can’t rely on family, her body is letting her down, and friends and colleagues are turning away—they treat her like a victim. She needs to break that narrative: build her own community, learn new strengths, and fight. But what do you do when you find out that the story you’ve been told, the story you’ve told yourself, is not true? How can you fight if you can’t trust your body? Who can you rely on if those around you don’t have your best interests at heart, and the systems designed to help do more harm than good? Mara makes a decision and acts, but her actions unleash monsters aimed squarely at the heart of her new community.This is fiction from the front lines, incandescent and urgent, a narrative juggernaut that rips through sentiment to expose the savagery of America’s treatment of the disabled and chronically ill. But So Lucky also blazes with hope and a ferocious love of self, of the life that becomes possible when we stop believing lies.

"Cold Wind", by Nicola Griffith, is a dark fantasy tale about a woman who enters a Seattle bar on a cold wintry night in the midst of the Christmas holidays, searching for something...or someone.At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

Nicola Griffith has been praised by the widest variety of admirers - from crime writer Dennis Lehane's "outstanding" to poet Allen Ginsberg's "astonishingly gifted" - and in the widest variety of ways, from the Washington Post admitting it's "hard to overpraise the taut plotting and broad intelligence" of her work to the Los Angeles Times acclaiming her "beautifully written [sentences]... shimmering with many levels and complex meanings" to the Village Voice dubbing her a sort of literary "Femme Nikita." With Stay, Griffith has written her most accomplished and searing work. She juxtaposes beauty and brutality in a stunning amalgam of pyrotechnic noir poetry to match James Ellroy, lush meditativeness that recalls Barbara Kingsolver, and hard-boiled moral conviction worthy of Andrew Vachss. And she develops her hero, Aud, bristling with emotional complexity and barely suppressed violence, into one of the most fascinating protagonists in fiction today. Stay opens with Aud, normally the epitome of cool-under-fire contained competence, disintegrating with grief and guilt over the violent death of her lover. These emotions are new to her, and she has moved deep into the North Carolina woods, away from people, afraid of what she might do if pushed. Into her refuge comes her oldest friend asking an impossible favor: to track down his missing fiancée, a woman Aud despises. The police won't take his concern seriously, and Aud - an ex-cop whose sense of right and wrong has little respect for the law - is the only person he can turn to for help. But to follow the woman's trail to New York City, she must leave the shelter of her trees and confront a series of physical, moral, and emotional challenges that she has been dodging for weeks, months, and years. None of her choices are easy. Stay is a dazzling showcase for Griffith's literary talent. She layers an array of different elements - urban tension and pastoral beauty, complex characters and white-knuckled narrative suspense, lyric prose and visceral violence - into a novel of depth, subtlety, and riveting noir storytelling.

The Nebula Award Winner–1996 She awoke in an alley to the splash of rain. She was naked, a foot-long gash in her back was still bleeding, and her identity implant was gone. Lore Van Oesterling had been the daughter of one of the world’s most powerful families… and now she was nobody, and she had to hide. Then out of the rain walked Spanner, predator and thief, who took her in, cared for her wound, and taught her how to reinvent herself again and again. No one could find Lore now: not the police, not her family, and not the kidnappers who had left her in that alley to die. She had escaped… but the cost of her newfound freedom was crime and deception, and she paid it over and over again, until she had become someone she loathed. Lore had a choice: She could stay in the shadows, stay with Spanner… and risk losing herself forever. Or she could leave Spanner and find herself again by becoming someone else: stealing the identity implant of a dead woman, taking over her life, and creating a new future. But to start again, Lore required Spanner’s talents—Spanner, who needed her and hated her, and who always had a price. And even as Lore agreed to play Spanner’s game one final time, she found that there was still the price of being a Van Oesterling to be paid. Only by confronting her family, her past, and her own demons could Lore meld together who she had once been, who she had become, and the person she intended to be…